In Leigh Lane 1939, I’ve painted a world that exists between history, memory, and imagined realms, a place where Vivien Leigh’s presence lingers like an unforgotten whisper. Inspired by one of the greatest performances in cinematic history - Leigh’s portrayal of Scarlett O’Hara in Gone with the Wind - this painting is more than a homage; it’s a layered tapestry of architecture, war, theatre, and personal tribute.

In Sherman Street 1944 we step into a world that exists somewhere between reality and illusion, a painted scene that evokes the grand yet artificial nature of classic Hollywood film sets. The painting is an ode to Vincent Sherman, the legendary director who built some of the most opulent and immersive cinematic worlds of the 1940s.

In Ogmore Castle ~ Stepping in the Mists of Time I’ve used black and white oil paint to not just the physical presence of this historic site but also the emotional resonance it holds. The painting’s monochromatic palette is purposeful to reflect a dreamlike quality, evoking memories of a childhood spent exploring these ancient grounds. The iconic stepping stones, which allow passage across the river, become symbols of fleeting moments and the gradual erosion of time.  

There’s Summit About Sheffield captures the spirit of a lost era when retail stood proud and illuminated the streets with golden advertising signs. The painting focuses on the old Austin Reed shop on Fargate, known for its striking ‘Summit Shirts & Collars’ sign that once glowed with elegance and charm. 

In this painting, I explore the rich history and poignant decay of the Abbeydale Picture House, a once-grand cinema that opened its doors on December 20, 1920. The inaugural film, “The Call of the Road”, a silent movie starring Victor McLaglen in his first acting role is referenced in the piece, and it set the tone for the Picture House's illustrious beginnings.

Inspired by the Kate Bush song of the same name, this piece explores the way we turn to computers, machines, and now AI for meaning, even as the real world outside our windows radiates infinite beauty and wisdom.

Moving captures an ethereal dance of light and architecture, allowing us to witness the interaction between light and structure in a way that’s both poignant and dynamic. Light passes through windows, casting reflections and illuminating spaces within and around us, mirroring the glimmers in our own eyes when we are truly alive.

In painting Windows to Other Worlds I I wanted the piece to radiate a sense of transcendence, which invites the viewer into an ethereal, layered universe where architecture and nature blend seamlessly. The vertical structures represent tall, slender towers and spires, interconnected yet unique, suggesting a world where human design and organic growth have intertwined.

This Mixed Media Abstract Painting depicts the moment when the 10 year voyage of the Odyssey begins, with Odysseus escaping on a ship with glorious sails through the help of Athena away from the fallen city of Troy to journey home back to Ithaca.